Storyboard animatic for 'Goodnight Sleep Tight'
This is our storyboard. This took us roughly an hour to do with two members of the group working on it. We have attempted to include a range of different shots that will make our opening look as thriller-y as we can. The first fifteen or so shots see to the main character of our film just watching television and going to close an open window. There are many shots that are required to make this look effective - long shots, wide shots, over the shoulder shots, shot-reverse-shots, close ups, medium close-ups, etc. We tried to include as many different ones as we could. One of the shots that I really looked forward to filming was a low angle shot from a high window that included a woman looking up at the main character. The next fifteen or so shots were of a dream sequence that we wanted to include in our opening - this was the main part of it. When we presented our storyboard to our teachers, they really liked it but they did suggest a few things that would improve it, which we tried to then implement.
By Sabrina Chowdhury
PICTH for 'Goodnight Sleep Tight'
'Goodnight Sleep Tight' is a psychological thriller where a young boy is being stalked in his mind by a woman. This may have been a cause of past events when he was a child. We tried to include all of the relevant information in our pitch about the props and location. We presented this pitch to our media class and in front of our teachers. The feedback which we got about our pitch was quite positive as our teachers liked the whole plot of a boy being stalked by an elderly woman against the conventional idea of a girl/woman being stalked by a man; they also like that we chose the sub-genre of psychological thrillers. In our storyboard, as part of our dream shots, we wanted to shoot a shot where there is blood (red paint) dripping from the table, and the camera would be set from a low angle to add suspense. However, our teachers pointed out that thriller films hardly use blood and ding this would make the opening look to much like a horror film and for us to stick to the genre of psychological thrillers, we had to remove this idea. Our teachers also told us to add as much suspense as we possibly can to engage the audience, for example, when our character is watching television, instead of him getting up to shut the window as he is feeling cold, to have the window shut on its own to create suspense.
By Shopna Begum, Sabrina Chowdhury, Nathan Toms and Saadi Rashid